─── Overview
“Yurere Seikatsu” is a short drama series of 12 episodes. Directed by Yoshikazu Nunomura, starring Yoshihito Mogi. The theme song and half of the play are musicians Gurupari. Guest performers # 7 to # 12 are Shotaro Kamijo, the owner of TWILLOW, a white food stall in # 7 and # 8, and Gurupari, a musician who also plays the role of Tencho in # 9 and # 10. In the final episode of # 11 and # 12, model Mana Takase will appear as her role in the main character, Shaw.

─── Synopsis
Repeated encounters in everyday life bring fluctuations to life. She, who lived with her, went out, and the main character Shaw moved. Something changes little by little after meeting unique people who visit the cafe where he works … Most of the characters appear in the role of themselves, and can develop improvisational acting without fixed lines. The words spoken are squeezed from reality and fiction, or gaps between them. A drama series that fluctuates between fiction and documents. (From LINE NEWS: bit.ly/yureruseikatsu)

─── Director’s Commentary
On the work pages of “Yureru Seikatsu” # 1- # 7, I introduced a story about the concept such as the concept and composition of this work. In the latter half of the series, we would like to recollect the cast, staff, and all the collaborators who worked hard to complete this work.
　　　First of all, it started with the encounter with Yoshihito Hoki, who starred about 10 years ago. At that time, Hoki was participating in independent films and was active as a fashion model. Then, although the days and months passed quickly, I was able to confirm each other when I met when I was young, my original intentions are still the same now, and I can reunite smoothly with this work so that I can not feel nostalgia. Played While forming his career as an actor club, Mr. Hoki was still strongly impressed with his curiosity for film expression, and his companionship for dramaturgy and emotions, which is also relevant to literature. Since the play in this work is a very different approach from so-called motion picture, it is a difficult approach, and in some cases, the director suddenly starts to drive, so it is an adversity for the actor, shooting all 12 episodes I am really grateful to you for completing this.
　　　Encounter with Mr. Suzuki, the producer who started this work, is also deeply involved in the establishment of this work. Cameraman Inoue and Suzuki, who are also taking part in the photography department, are from the same university, and I met them in the Hatagaya district of Tokyo, where they were filmed. It was This edge is also related to the wish of a “small festival” that is included in the work. Through the acquaintances of this village, also known as Hatagaya Village, where a unique community of restaurants is formed at night, I happened to meet Mr. Inoue and Mr. Suzuki in Hatagaya. It feels the miraculous fruit of the creed that treats face-to-face, in a small but personal area, with fraternity and curiosity.
　　　On-site staff members on the day of the shooting, including alumni from the Osaka University of the Arts era, and everyone who could be called the video companions I met after becoming independent, did their best. I have the understanding that the shooting scene is almost the same as the battlefield. No matter how gentle the sequence is, it doesn’t change, and in the art of dealing with time, not only 1 minute 1 second, but even moments of momentary moments affect the outcome of battle. I am overwhelmed by the obsession. With that in mind, I believe more in the trusting relationship of “friends” who can probably share the meaning with a slight eye contact and clearing my throat, and open my back. Under such a sense, I end up with friendship friends. Thank you very much.
　　　Despite the preamble, the graphic design of this work was really helped by alumni designer Takamasa Asano (called Tanabe) for a long time at Osaka University of Arts. He also helped me with graphic design in my movie works and solo exhibitions such as “CME”, “RAK” and “NCP”. Even after I came to Tokyo, I respect the fun of people who are truly designers. This is also difficult to put into words, but while the movie director does not show his feet from the real world forever, he puts his head in a mood of sadness, whereas the designer quickly climbed up a small hill and looked widely. Instead of being bothersome and joyful, observing at the proper magnification for such things as picking up small gravel that you want to see suddenly and checking it, it seems that it is fun, I can only think that it is amazing.
　　　Next, I would like to thank all the guests who appeared as guests, even though they had a sudden consultation. Ms. Oguchi Iguchi, who is a vocalist at King Gnu, is grateful that he was able to hit the heat with a limited number of takes while he was busy with the band activities such as radio and movie appearances. Masao Tsuchiya, who has just retired from being a professional soccer player, also received a big order for his appearance in a drama work, and he also received a natural play that made him even playful. Excluding Mr. Gurupari, it was the second shoot following Mr. Iguchi, but this concept of Tsuchiya’s shooting did not get out of the hypothesis or the illusion, it seems that the concept and theme in me had more substance I have a memory. Mr. Zuiki Inada, a priest, consulted about the appearance from a sudden Skype call. At that time, I think it’s probably the temple of my parents’ house, but I can remember the faint sound of life in the background for some reason. (At this time, Mr. Inada seems to have been temporarily returned from the runaway family.) The presence of a monk who trains his sincere attitude and eyes on a playground called Buddhism to other people and the present world is a familiar family. However, that state is reflected. Like that. Anyway, I got the feeling that it was a Skype call that made me feel very calm. This feeling is overwhelmingly necessary in terms of “mutual understanding / mutual assistance”, which is an important element of this work.
　　　In return, the guest of the second half of the game was Mr. Shotaro Kamijo, who has a strong feeling among the people I met in Tokyo and met. I will omit it here because the amount of time I have met and shared with Mr. Jinjo is a considerable amount to talk about, and because it is a memory that always blows when it is blown with sake. deep. Anyway, if you look at the main story, another existence called Mr. Jinjo expresses more strongly and poetically beyond my thoughts. In the final episode, Takase Mana-san was selected by Yoshihito Maki, who is the lead actor. It feels like that final story could not be completed except for her. The glittering appearance in the frame gives this work a color and depth like jewelry and flower arrangements.
　　　Gripari who was in charge of the theme song and half of the play in addition to the role of Tencho. From a really accidental encounter (again, this is another encounter in the neighborhood), I had a sudden unreasonable dating. It’s been a while since I met each other, but the communication we woven with Mr. Gurupari is all memorable. This is also long, so I will omit it here. (Please check the Note page on this site for the text of Gurupari’s song.)
　　　I am sorry that everyone introduced me here, but at the end I would like to thank Mr. Sato from the jewelry studio, HSJ works, where the film was filmed. Since I had a lot of time spending with various things, I will only introduce it when shooting. We borrowed not only the Tencho store but also the sho’s room as a location. The cast and the staff were warmly welcomed on the day of the shooting, and this is not true without this. If there is no potted plant of any kind, the roots cannot grow.
　　　I am grateful to all of you for accepting my crazy idea.