I made it with art director MINORI MURATA. In response to MINORI’s view of the world who deals with graphic works, he provided techniques of live-action and motion. Originally, because graphics themselves have perspectives meaningful, in terms of live-action and motion, I was conscious of the comical (planar) and layer-like movement as much as possible. In the end it was an opportunity to think about the gap between graphics and live action, and I could notice the power that the graphics themselves could have. For the expressions of limitlessly casual graphic construction, we aimed at a moderate finish of the recordability of live-action images (a desire to act).
　　　In addition, this time, as in silent movies and animation works dramatically and surprisingly by drama, in the direction of sound, arranged sounds to phenomenon in the space to be filled, which is hidden in the phenomenological perspectives in the frame.