A music video for ANYO, a band in which Tamada De Niro plays the drums, who have participated as a music provider and a sound engineer in the commercial work of and319. From the connection with Osaka University of Arts in the same alma mater, designer Takamasa Asano and movie director Keisuke Kanno served as support staff for this work. Among the friendships, one point was how to fully establish the professional wrestling of music videos.
　　　Sensitivity wrestling is the aim of making a match in a square jungle without any problems, due to the heavy movement of heavyweight athletes and the quick movement of lightweight athletes mainly of jumping skills. In other words, two or more impossible distances will hit you from the front. Music videos are especially important in commercial work. It is a co-creation of movie / video writers and music writers. Even if master-slave is admitted here, superiority or inferiority must not be established. In many cases, the image follows the music in the order of words in the music video. But it doesn’t have to be an image for music, and music doesn’t have to be an image. So what is the richest form of music video?
　　　Pro-wrestling has a mysterious word that “I lost the game and won the game”. Those who lose in the rules and records are sometimes said to have won. This is exactly what we should aim for in the process of co-creation. There is no problem in communication to promote mutual understanding. For example, the number of seconds or a cut that can be visually confirmed. The code “move this cut to some seconds” is a code that both parties in a co-creative relationship can understand without problems. On the other hand, the code is “difficult to feel a bit sad”, “more like a guru kuru”, and the code becomes a difficult code depending on the backbone for both parties. In this respect as well, professional wrestling already has correct communication.
　　　Wrestling has an idea called “passive aesthetics”. In other words, the beauty of the technique that is set depends not only on the person who sets up the technique but also on the offensive person, but on the skill of the opponent who accepts the technique. In other words, this is the “aesthetic of decoding”. What do you want to do and what should it be? It immediately deciphers it and takes action. Stick to it. Before any action, their muscles are always driven by the thought of the game and the crowd’s excitement. Yet, everyone who sees it acknowledges that the ring is a sanctuary that no one can enter. Except for wrestlers, in the inviolable territory, wrestlers continue to understand and decipher the audience who never enter, the opponents who are completely injured.
　　　Then, the result will be Moon Salto Press and get 3 counts, or tap out with Argentine backbreaker. The excitement of that moment is the result of the wrestler, but on the other hand, there is a true excitement as the spectator defends the inviolence and continues to decipher the match from another layer off. You can read it. Music videos, which are fields of co-creation, may have no themes or themes like movies. Even so, the co-creation has the seriousness of making it, decoding and acting like a wrestler. You must decipher it.