A documentary film released by KAI-YOU, a web media advocating the word “play with the world”. As a trend of pop culture in 2016, there was an excitement to the excess of HIP-HOP. In particular, the expression of rap has been actively featured in the mass media, especially in the TV program “Freestyle Dungeon” featuring freestyle rap.Similarly, the situation surrounding Web video and online video at that time was the YouTuber culture centering on the video platform YouTube. At that time, YouTuber was in a state of shifting from the so-called Nico Nico Douga cultural sphere, such as the owner and live commentators. The product introduction videos, which are now standard, were in the initial stage where some YouTubers began to establish.
　　　Based on this situation, this project was started as a document that connects HIP-HOP and YouTuebr.
The HIP-HOP crew, YENTOWN, which was the subject of the filming, felt a different attraction from the cultural representation of those days. It all starts when you see crew kiLLa who performed their first live with NOK from the future. In 2016, kiLLa, who was active in YENTOWN at that time, now leaves kzm and other men left YENTOWN. As of 2019, kzm, who remains in YENTOWN, has been active as an artist.
However, when I saw it at the above-mentioned first live performance, it was just as strange as the other members of kiLLa. It was a frank expression but a fashionable yankee. YENTOWN made the youth of Tokyo even more exciting by hooking them up.
　　　Anyway, I realized that the whole picture of the HIP-HOP crew feels like a swaying of reality and illusion, and the younger I spun the story by fumbling.